在东京前往盛冈一趟疾驰的列车上，有五名杀手，他们发现各自的任务其实有着关联。于是问题变成了：谁能活着下车？终点站又有什么在等待着他们？　　影片改编自伊坂幸太郎小说《瓢虫》。

娜奥米·沃茨、鲍比·坎纳瓦尔将主演Netflix限定剧《监视》。Netflix此前以七位数美元的交易价格购得《The Cut》杂志同名文章改编权。文章讲述了一起真实事件：一家人以130万美元购得了新泽西州的一幢老房子。在刚搬进新家时，这家人不断收到关于这幢房子的恐吓信，信件中以“想用血来填满你的房子吗？”之类的字眼威胁这家人。最终，这家人不得不被迫搬离这幢房子。伊安·布瑞南(《拉契特》)操刀剧本，瑞恩·墨菲、埃里克·纽曼(《毒枭：墨西哥》)、布赖恩·克利斯([我，花样女王])、亨利·朱斯特、阿里尔·舒曼担任执行制作人。该剧预计于今年秋季开拍。

　　Maddie是个被欺凌的少女，某天她在网上得到神秘的帮助，而她很快发现对方原来是新近过身的父亲David。　　David参加了个实验并被破坏了脑部，但实际是他脑部被扫描及上传到云端，使他成功新物种「Uploaded Intelligence」的第一例，但他的存在也即将引发一场新型的世界大战。

Max Brown将在《王室》第三季中扮演关键角色Robert王子。该剧从最开始就告诉我们：Robert王子死了……但是在第二季季终集，我们惊讶地发现Helena王后和Simon国王的长子竟然还活着。剧本进一步描述道：Robert王子是位仪表堂堂的、充满英雄气概的男人，他爱自己的国家，更爱自己的家庭……尽管这个家庭问题重重。他一直在躲避媒体的关注，同时也躲避自己的家人。当他突然死亡的消息公开之后（当初很有可能是Ted下令刺杀Robert），他的弟弟Liam王子被迫站到聚光灯下，顶替他成为王国的继承人。Helena、Liam和Eleanor正走向一条自我毁灭的道路，明白事理的Robert将帮助他们悬崖勒马。 　　第三季的故事时间将跳跃到「谋害Simon国王的凶手Ted Pryce被愤怒的民众处决两周后」，Helena王后竭力证明Liam王子和Eleanor...

该剧讲述了一位当地青少年揭开她家庭秘密的过去，并在南非一所高中的复杂世界中航行。

在一次酒醉后的邂逅之后，来自一个资金拮据、日益分裂的同性恋橄榄球俱乐部的两名男子近乎梦游般地坠入了爱河，但他们必须隐藏日益增长的情感，否则就可能会毁掉他们热爱的俱乐部。

Chile's 2009 Academy Awards official submission to Foreign-Language Film category. 　　Santiago de Chile, 1978. 　　In the midst of the tough social context of Pinochets dictatorship, Raúl Peralta, a man in his fifties, is obsessed with the idea of impersonating Tony Manero, John Travoltas character in Saturday Night Fever. 　　Raúl leads a small group of dancers regularly performing at a ...

　　阿斯特丽德·尼尔森和警长拉斐尔·科斯特开启了新一轮的调查，她们将与阴谋论者对峙，深入美洲印第安人社区，揭开修道院、精神病院的秘密，甚至面对谋杀阿斯特丽德父亲的罪犯……对她们来说，这一季也将是一段多愁善感的历程。在拉斐尔和马蒂亚斯的关系走到尽头后，她意识到自己对尼古拉的感 情在逐渐转变，但这一切会为时已晚吗？阿斯特丽德将首次打开心扉，尝试与哲夫的恋爱关系，但是孤独症患者和正常人之间会有真爱吗？

　　讲述了南非的一个白人小男孩和两个黑人服务员的故事。哈里是个在南非长大的白人小孩，山姆和威利是他家餐厅的两个服务员，哈里从小就跟他们感情很好，他们对哈里来说亦师亦友。哈里的父亲是个爱酗酒的残疾人，他要从医院回家的消息使得哈里心烦意乱。。。父亲强迫他听种族歧视的笑话，他因为父亲感到羞愧难忍，最终还是山姆帮他恢复了自信　　This movie is of Hally, an adolescent white South African. He is stuck　　between his intolerant father's outlook of him and those of his　　caretaker, Sam. Sam is a black waiter and Hally's friend and teacher　　Hally is required to laugh at his father's racist jokes, by contrast　　Sam exposes Hally to uplifting experiences. One day Hally was terribly　　humiliated by his father and Sam shows Hally how to be proud of　　something he can achieve

　　不要向流星许愿，否则它就会变成女人……故事开始于一个平静到让人昏昏欲睡的小村庄，由于村庄被一个鹅卵石城墙所包围，所以它也叫“围墙村”。虽然只是薄薄的一面城墙，却世世代代地保护着这里的村民，因为一墙之隔的外面世界，是一个平行宇宙，那里充满了魔幻与超自然的生物。生活在“围墙村”的特里斯坦·索恩和所有的年轻人一样，对村里最美丽的姑娘维多利亚一见倾心，为了能够得到她的爱，他甚至许下了这个世界上最不可能完成的诺言：带回天上落下的星星。　　为了能够完成许诺，特里斯坦不得不鼓足勇气穿越那道象征着禁忌的城墙，进入另一个世界--“暴风之所”，那是一个神秘的国度，到处都是永恒的魔法和流动的传奇，很快，特里斯坦就会完全融进这个独特的地域，成为其中的一个组成部分。　　当特里斯坦走进“暴风之所”，最终找到了流星下落的位置时，他发现自己看到的不是预期中的陨石，而是一个美丽、勇敢的女人……在进入大气层之时，“流星”不小心崴了脚，然而这只是一切不幸的开始而已，打从她脚落地开始，就有一系列的陷井在等着她，这个自称伊凡娜的“流星女”成了所有野心家围捕的猎物。特里斯坦就不用说了，即使没有陨石，他仍然要把伊凡娜带到维多利亚面前。除此之外，还有野蛮、残忍、邪恶的女巫，她想得到“流星”让青春永驻；国王的几个诡计多端的儿子，对于他们来说，得到“流星”，就等于得到王位。当然，这个过程中还有魔法师、小妖精以及一个会飞的海盗，他们因为各种各样的原因--有善意的，也有邪恶的，但他们的目的却只有一个，那就是伊凡娜的心脏。　　特里斯坦为了自己那不可告人的小秘密，决定保护伊凡娜，虽然他不知道这场旅程会带来多少不可思议的遭遇，但被爱情冲昏了头脑的他已经顾不得许多了。如果特里斯坦能够在如此大规模的围追堵截中运用智慧活下来，他就会发现，自己对维多利亚的感情，只是一种对美的期待，并不是真正的爱情。而他的“新欢”伊凡娜强大的力量，不仅是一切混乱的根源，也是开启他身份之谜的关键钥匙。

　　Halloween 1997 – the last night of high school for Corey, Jango and their skater gang, The Gromits. Childhood is over and adult life beckons. But for Corey, his past has some unfinished business. When he encounters Jonah, a former childhood friend but now victimised by Jango’s cruel streak, Corey takes pity on him and agrees to walk him home for old time’s sake. What starts off as a normal walk through empty suburban streets descends into something darker and magical, as trip through their memories and ghosts of the past, and Corey is surprised to discover how much he still has in common with his abandoned friend. And even the most buried truths will find a way of coming to life. Best unproduced screenplay award at the 2011 New York Gay and Lesbian Film Festival.

　　薇卡（苏菲•玛索 饰）是个13岁的女孩，不同于班上的其他同学父母离异的状况，她拥有一个完整的家庭，虽然她总是觉得被母亲忽略，伴随青春期到来的，除却敏感的对父母之爱的需要，还有对异性情感的渴望。然而，父母的感情出现了裂痕，母亲与薇卡的德语老师燃起了爱火花；而在舞会上认识的拉乌尔，让她感受到初恋的美好同时也领会了爱情的伤害。　　有了初吻之后，爱情就能保鲜吗？13岁的初恋能持续到多久？　　苏菲•玛索凭借此片成为欧洲影坛著名的小明星。

年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……

　　故事发生在风景秀丽的托斯卡纳乡下，特修斯公爵（大卫·斯特雷泽恩 David Strathairn 饰）正在积极的准备着自己即将到来的婚礼。在这样一个充满了幸福和快乐的氛围里，传来了不和谐的争吵之声，原来，伊吉斯（伯纳德·希尔 Bernard Hill 饰）的女儿郝米亚（安娜·弗莱尔 Anna Friel 饰）不愿嫁给与她门当户对的贵族迪米特吕斯（克里斯蒂安·贝尔 Christian Bale 饰），因为她爱上了默默无闻的青年莱桑德（多米尼克·威斯特 Dominic West 饰）。　　德高望重的特修斯公爵命令郝米亚听从父亲的命令，郝米亚的好友海伦娜（卡莉斯塔·弗洛克哈特 Calista Flockhart 饰）也极力的劝说着倔强的郝米亚。悲痛中，郝米亚决定和爱人私奔，迪米特吕斯和海伦娜紧随其后，四人先后进入了幽暗的森林之中，在森林里，不仅有正在排练的表演团，还住着拥有神奇法术的仙王和仙后。

年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。 　　然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……

　　十位导演拍摄的十部短片，每一段基于一部歌剧的一首咏叹调。详细目录如下：　　　　Robert Altman   (segment "Les Boréades")　　Bruce Beresford   (segment "Die tote Stadt")　　Bill Bryden   (segment "I pagliacci")　　Jean-Luc Godard   (segment "Armide")　　Derek Jarman   (segment "Depuis le jour")　　Franc Roddam   (segment "Liebestod")　　Nicolas Roeg   (segment "Un ballo in maschera")　　Ken Russell   (segment "Nessun dorma")　　Charles Sturridge   (segment "La virgine degli angeli")　　Julien Temple   (segment "Rigoletto")

　　退休发型师帕特·皮特森巴格得知一位老顾客的遗愿是让帕特为她最后一次整理仪容，帕特因此从小镇养老院出逃。接踵而至的是一段万花筒般的诙谐荒诞，同时又让人心绪翻腾的重逢之旅。面对年轻时的好友，帕特能否重新找回对生活的渴望和往日的艳丽风情？

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake: Death Takes A Holiday (1971)

　　二十世纪初期是西部的转型期，但著名的侦察员兼神枪手汤姆霍恩（史蒂夫．麦奎因饰）无视时代变迁，仍坚持个人的生存原则，以单枪匹马搜捕罪犯为生，最后被时代淘汰。本片根据汤姆．霍恩的自传改编，以冷峻手法表现一个没落西部英雄的形象，手法传统，故事清淡，但颇能捕捉到暴力与死亡的痛苦感觉。