1944: Stella Goldschlag will Jazz-S?ngerin werden und tr?umt von einer Karriere am Broadway. Aber die Nazis beherrschen Deutschland. Und Stella ist Jüdin. Nachdem Stella zusammen mit ihren Eltern untertauchen muss, verwandelt sich ihr Leben in eine schuldhafte Trag?die. Durch einen Verrat wird sie von der Gestapo gefasst, gefoltert und zur ?Greiferin? gemacht: Um sich und ihre ...

FX续订杰夫·布里吉斯主演《老头子》第二季。

　　萨拉是一个13岁的波兰犹太人，他寻找避难所，被一个农民和他的妻子带走。她很快发现了雇主婚姻的黑暗秘密，使她必须努力保护的最大秘密，她的真实身份雪上加霜。

剧情梗概： 　　影片讲述了十八世纪时，哈萨克人民团结一心、众志成城，在昂额拉海与准格尔侵略军决一死战，保卫家园的故事。 　　在这场决定性的战役中，由于准格尔人的侵略暴行而成为了孤儿的萨尔泰，集结了众多和他一样身世命运的孤儿们，率领他们响应祖国的号召，投入了战斗。萨尔泰率领着被他这支后人尊称为“一千勇士”的队伍，向着数量远远超过自身的敌军发起了决死冲锋，并最终改变了整场战役的结果，挽救了哈萨克人的命运。

　　影片根据真实故事改编，以苏联入侵阿富汗事件为背景。1987年到1989年期间，阿富汗战场异常惨烈。由于穆斯林的强烈抵抗，苏联在阿富汗损兵折将，死伤无数。　　西伯利亚克拉斯诺亚尔斯克，六名新兵应征入伍，以协助前线战斗。他们接受严苛的魔鬼训练，进行各种特种培训。1987年末，这支奇兵组成“第九突击队”前往阿富汗，受命占据3234高地，以掩护苏联士兵撤退。第九突击队保护苏军大部队安全通过，而自己却弹尽粮绝。血腥而残酷的战场上，他们视死如归的身影显得异常悲壮。

马切克是一个右翼组织的杀手，他奉命要杀死波兰的党组书记，可是在他居住的旅店，他邂逅了漂亮的女服务员，并且爱上了她，在这种炙热的爱情火焰让他开始怀疑自己任务的合理性。虽然他最终完成了自己的任务，但在逃跑过程中还是被警方击毙

　　故事发生在葡萄牙的海边，一个电影剧组正在这里翻拍罗杰·柯曼的名作《世界末日》，新版本的电影在拍摄过程中却遇到了各种困难。导演不知道为何没有了资金来源，电影面临被迫停拍的命运。导演试图联系到在洛衫机的制片人，以便可以对所有人员有一个交代，但是不知为何却找不到人。他费劲心思希望可以改变不得不停拍的命运，然而，世事总不如人所料，他感到十分无奈。该片情节很简单，但是却耐人寻味，整个电影都沉迷在一种神秘的意蕴中。

　　2014年7月，准父母Irka和Tolik住在乌克兰东部靠近俄罗斯边境的顿涅茨克地区，这是顿巴斯战争早期有争议的地区。随着MH17航班附近的坠机事件加剧了笼罩他们村庄的令人生畏的紧张气氛，他们对第一个孩子出生的紧张预期被突如其来的事件猛烈地打断了。迫在眉睫的失事客机残骸和即将到来的哀悼者队伍强调了当时超现实的创伤。

　　关于二战的电影是波兰电影学院派经常拍摄的话题。在《如何被爱》中哈斯把只是把战争作为背景，讲述两个普通人的悲剧感情故事。女主角为了爱情的无私奉献最后反而成为了她深爱的男人的负担，在某种意义上毁掉了后者的生活。这一切都是在战争的环境下发生的，正如女主角讲的，开始以为生活就是自己身边的事，后来才发现整个国家都和你有关。而男主角最后也说道，我们都是被卷入战争的普通人。

　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

　　本片根据汤姆·克兰西畅销名著改编。　　1984年11月，苏联正处于戈尔巴乔夫上台前夕，也是美、苏两个超级大国明争暗斗的冷战高潮时期。苏联研制了一艘新型核潜艇“红十月号”，并派老练的雷米斯负责该艇的首次试航演习。此时，美国中央情报局也获取了有关“红十月”号的情报。途中，艇长雷米斯杀死了发现他隐私的专横政委并命令潜艇改变航向。他向全体官兵声称此举是要利用该艇先进的无声推进系统去通过美国海军的监视网并纵情游览美国的海岸线。一个苏联高级将领秘密挟带一艘超级军用潜艇“红月十月号”，究竟是想投奔美国，还是制造一场核战争？苏联国防部大为震动，遣派军队追捕，美国中央情报局亦派出精英部队拦截，一场联系美苏两国军事平衡的追击行动由此展开。

　　西恩（埃米尔·赫斯基 Emile Hirsch 饰）和本（麦克思·明格拉 Max Minghella 饰）是两个来自美国软件工程师，因为新开发了一款软件，跑去莫斯科谈生意，晚上去酒吧找乐，遇到从美国跑来旅游的娜塔莉（奥莉薇·瑟尔比 Olivia Thirlby 饰）和安（瑞切尔·泰勒 Rachael Taylor 饰），四个人调情玩乐，却遇上天降白光，大地浩劫，原来是以能量场形态出现的外星人入侵莫斯科，碰触的瞬间就能让任何生命体灰飞烟灭。四个美国年轻人及时藏身，夜晚来临后试图逃出一片涂炭的红场，他们发现电可以感应外星人存在，又找到一位在家里布上电磁阵的极客老头。大家齐心协力，试图找到所有幸存者，利用电磁学知识，对外星人反戈一击……

　　Maca (María Valverde), 30 years old and clumsy by nature, makes the most of life and strives to be happy. Maca's talent is wasted working as an assistant for an oppressive and terrifying fashion influencer and she spends her time with guys with whom she never manages to establish an emotional bond. Together with Jimena (Elísabet Casanovas) and Adriana (Susana Abaitúa), her two unique and lovable friends who are always ready to do whatever it takes to make their problems not seem so bad, Maca has managed to make Madrid a city where everything is possible. Everything seems to be going well until he-who-must-not-be-named comes back into her life. Leo (Alex González), the love and biggest mistake of her life, the man who tore her heart apart, obliterated her self-esteem and her faith in men, comes back into her life to turn everything upside down. Maca has tried to forget him, but now she has to accept that he has returned and face the emotions she has locked away to deal with the unforgettable memory of what could have been and never was. Old wounds are reopened and Maca will have to be brave and confront her conflicts, fears and insecurities in order to finally take control of her life.

　　在第二次世界大战期间，扬卡隐藏了一个名叫伊斯特的年轻犹太女孩，他们之间建立了一种不寻常的纽带。

　　南奥塞梯原本是格鲁吉亚的一个自治州，苏联解体时期宣布脱离格鲁吉亚独立。1992年俄罗斯、格鲁吉亚、南奥塞梯等各方达成协议各自派遣部队维持该地区的和平，地区紧张局势得以缓解。近年，格鲁吉亚亲欧美的总统萨卡什维利大选获胜，格鲁吉亚积极推进加入北约的进程，并得到美国等国家的支持，与俄罗斯关系恶化。　　8月1日，激烈战斗在格鲁吉亚部队和南奥塞梯准军事武装之间展开。战斗造成6人死亡，21人受伤。交战双方指责对方先开火。8月3日，俄罗斯政府准许南奥塞梯人开始疏散到俄罗斯境内。交火第一天，共有20辆巴士载着难民撤离交火区。8月4日，5个营的俄罗斯部队部署到连接南奥塞梯与北奥塞梯的罗基隧道（Roki tunnel）。零星的战斗持续数天。8月6日，格鲁吉亚称，他们损失了一辆装甲运兵车并且有3名士兵受伤，另有10名格鲁吉亚士兵在零星的战斗中阵亡。　　我们的故事是从8月7日开始，一个在俄罗斯出生的美国年轻昆虫学家迈克尔为拍摄稀有的飞蛾（其拉丁名就是Olympus inferno）来到南奥塞梯，在那里和他的小学同学都经历了什么呢？

　　巴塞隆纳的圣诞节，总是带给人们甜蜜与喜乐。查尔斯和罗拉刚拥有第一个爱的结晶，然而，他们很快的理解到，三人的小家庭跟两人世界有巨大的差别。新手爸妈手足无措，只能试著适应全然未知的崩溃生活。　　卡曼奶奶这里倒是有些新鲜事，她早已计画好要在全家吃耶诞大餐时，宣布自己有了新对象！但那位得到她芳心的人却令人跌破眼镜。而大情圣奥斯卡这次终于不再一股脑倒在哪个女孩的裙襬下了吗？还有乔姆，他心心念念了五十年的初恋女孩，居然再度出现了。圣诞夜的魔力，究竟会带给这些破碎的心什么样的祝福呢？

　　年輕時的莉莉安娜熱衷社會運動，與好友們紛紛走上街頭抗議獨裁政府的蠻橫無理，他們高調的抗爭行為很快地成為了政府的眼中釘，在遭到逮捕後，政府官員的暴力凌虐及性侵造成女孩們一生不可抹滅的痛苦記憶。三十多年後，當莉莉安娜回到故鄉烏拉圭參加兒子迪亞哥的婚禮時，面對兒子將她的過往視為「醜聞」而選擇疏遠，莉莉安娜選擇做出了一個勇敢的決定…